Cannes 2019 / Directors’ Fortnight (The article continues below - Commercial information) 41 articles available in total starting from 02/03/2018. Last article published on 28/05/2019. previous page: 1 2 [3] 4 5 next Interview: Juris Kursietis • Director of Oleg"There has to be a proper reason to make a film"CANNES 2019: Latvian director Juris Kursietis is presenting his second film, Oleg, in the Directors' Fortnight, and he talked to us about it 20/05/2019 | Cannes 2019 | Directors’ FortnightReview: The Bare NecessityCANNES 2019: Erwan Le Duc cooks up a clever feature debut by approaching the topic of love at first sight from an offbeat and protean comic angle 20/05/2019 | Cannes 2019 | Directors’ FortnightInterview: Bertrand Bonello • Director of Zombi Child"Films are also made for communicating with spirits"CANNES 2019: French filmmaker Bertrand Bonello explains the thinking behind Zombi Child which was unveiled in the Directors’ Fortnight at the Cannes Film Festival 19/05/2019 | Cannes 2019 | Directors’ FortnightReview: Alice and the MayorCANNES 2019: Nicolas Pariser delivers a very clever and quirky political comedy, with brilliant performances from Fabrice Luchini and Anaïs Demoustier 18/05/2019 | Cannes 2019 | Directors’ FortnightReview: The OrphanageCANNES 2019: Following her acclaimed feature debut, Wolf and Sheep, Shahrbanoo Sadat continues to explore the recent history of Afghanistan through the eyes of children 18/05/2019 | Cannes 2019 | Directors' FortnightInterview: Levan Akin • Director of And Then We Danced“When it takes some four years to make a film, it needs to mean something”CANNES 2019: With And Then We Danced, Swedish-Georgian director Levan Akin takes on his Eastern European roots with a vengeance 18/05/2019 | Cannes 2019 | Directors’ FortnightReview: Song Without a NameCANNES 2019: Melina León’s film noir tells the story of a mother looking for her kidnapped child in 1980s Peru 18/05/2019 | Cannes 2019 | Directors’ FortnightReview: OlegCANNES 2019: Latvia's Juris Kursietis delivers a gritty and ultra-realist film on a form of modern slavery taking place behind the scenes between Eastern European posted workers 17/05/2019 | Cannes 2019 | Directors’ FortnightReview: And Then We DancedCANNES 2019: Through the character of a Georgian dancer in love for the first time, and with a fellow pupil, Levan Akin opens up a window onto a traditional world that’s both harsh and beautiful 17/05/2019 | Cannes 2019 | Directors’ FortnightReview: Zombi ChildCANNES 2019: Bertrand Bonello puts his name to a film steeped in the occult and brilliant despite its simple façade, blurring the boundaries between times and worlds 17/05/2019 | Cannes 2019 | Directors’ Fortnight previous page: 1 2 [3] 4 5 next (The article continues below - Commercial information)